Jyllands-Posten
I can’t think of anything more appropriate for my first weblog than an article to address the publishing of inflammatory comic strips in the Danish tabloid Jyllands-Posten back in September 2005 that resulted in widespread and sometimes violent protests among Muslim’s worldwide early this year. I mean, really, who better to speak to the issues of deference to religion and freedom of speech than the Grandchild of Christ?
Yeah, I can’t think of anyone better either.
So first of all let me address the strips themselves. The most obvious thing I can note about them, as one who has seen them, is that many of them are, in fact, inflammatory. Hateful even. To portray the central figure of Islam as an evil extremist is not humorous or clever or editorially responsible.
But, really, the quality of the images shouldn’t come as any surprise given the call for submissions that motivated their creation. Jyllands-Posten, according to The Christian Science Monitor, encouraged various illustrators to submit images in order to test whether or not Muslim fundamentalists were being successful in fostering a practice of fearful self-censorship in Denmark. Their suspicions in this regard arose from rumors that artists were refusing to illustrate for a children’s book about Muhammad for fear of reprisals from radical Muslims. Is the provocative nature of many of the submissions any wonder, then? And is it any wonder that they did, in fact, provoke?
Critics of the Muslim response have often suggested that such a strong reaction is indicative of a weak faith. After all, they point out, when Grandpappy is poorly portrayed in some newspaper you don’t see Christians up in arms about it all over the globe. This criticism misses two key points, however. First, I don’t know of any Christian sect that prohibits the graphic representation of Grandpappy. And second, and probably more significant, Christianity enjoys dominance on the world stage that prevents it from feeling threatened by the tossing of stones. This dominance comes mostly from Christianity’s association with the United States, arguably the most powerful nation in the world, who for no discernible political or economic (i.e. non-religious) reason favors the nation of Israel in its geopolitical tug-of-war with Palestine. And this foreign policy choice has become a symbol of how the US and its allies view not only Palestine, but the entire Muslim world. Cartoons like the ones that were published in the Jyllands-Posten do, in fact, add insult to injury, and Muslims are legitimately offended by them.
Now, none of this is to justify violence, although it certainly justifies protest. And I’ll also say that, in a pluralistic society, a religion cannot expect any but its own adherents to live by its rules. That is, the principle of free speech does protect the cartoons.
However, the principles of sensitivity and journalistic responsibility do not.
One of Grandpappy’s most famous parables had a Samaritan in the starring role, a person who would not have been well liked by his audience at the time. So part of the message of that parable is that folks shouldn’t give in to foolish prejudices, and no creed or lineage justifies casting compassion aside. The cartoons should not have been run and no violent response should have resulted from them being run. Just as important, though: the non-violent protests (which constituted the majority of them, by the way) and thoughtful calls for apology should be heeded.
In the News Again
There have been recent news items on these cartoons again because of arrests in a plot to kill one of the cartoonists. And now several newspapers are going to rerun the cartoons. While I am a great supporter of Freedom of the Press, I think that saying that reposting the cartoons is about asserting that Freedom is only part of the picture--I think it also a way of reengaging escalation with the Islamic world more generally, not just the extremists behind this violent plot.
You're not the grandchild of christ.
Stop saying you are, You'er not and you know it, ok first, you would have to be a great-great-great-great-great-great-great-great-great-great-grandchild (there are more greats than that) jesus, NEVER have a wife or did anything (you know what I mean) with a woman, and second, he didn't have children!
Wait a minute...
Dear Anonymous,
First, let me say that I actually agree with you that Jesus never had a wife or "did anything" as you say, nor did he have any children. However, GC has a right to speak his opinions and thoughts. You can't say he "knows he's not", he may really believe he is, for whatever reason. So I don't think you should make statements that imply that he is deliberately lying. You cannot be the judge of that. Remember that the way you say things is just as important as what you say! Just wanted to put that out there.
Now we can discuss the reasons why we believe what we believe and not accuse or attack each other in the process. And I'm all for a discussion on this topic, as long as it is done right.
Representation & Power
I completely agree with what you said above and thought what was especially insightful was the relation between where one stands in the power structure and how one feels about questionable representations. I thought an anaology might be the difference between a child saying a parent was mean and the child hates the parent, and the parent saying the same thing to the child.
I do think, though, that there have been strong reactions on the part of some Christians to representations of Christ--I'm thinking for example of the reactions to Martin Scorcese's Last Temptation of Christ, and Serrrano's Piss-Christ. I know those reactions came primarily from a certain faction of Evangelical Christians--but that got me to thinking that perhaps that faction (and here I'm not talking about the leaders of that faction like Pat Robertson, but its followers) has in common with many members of the Muslim world, a feeling of powerlessness and disenfranshisement.

delicious
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New Yorker Cover
Wondering what people think of the controversy over the New Yorker magazine's satirical cover portraying Obama as a terrorist? Both the Obama and McCain campaigns have called the cover tasteless and offensive. David Remnick, the New Yorker editor, has said that assuming that people won't understand the satire and will take the image as supportive of the very thing it satirizes is an elitist argument.
I'm uncertain. I was reading a letter to the editor in which the writer compared the cartoon to the Herblock cartoons of Joe McCarthy and Richard Nixon portraying them as crooked and untrustworthy. The letter writer didn't make this point explicitly, but it seems to me an important difference between the Herblock cartoons and the New Yorker cover is that in the case of Herblock the object of satire was the person being portrayed, while the magazine cover is not satirizing the people portrayed (the Obamas) but those who would portray them in that way. The image itself is persuasive of the message with Herblock--whereas in the case of the New Yorker one is asked to find the image unpersuasive and question the people doing the representation. The latter is a trickier proposition and asks the viewer to override the power of the image.