Lost: Postmortem

The ABC hit series “Lost” is finally over after a 5 and 2/3rds year run.  In the grand scheme of things, it’s difficult to imagine a more trivial fact.  After all, of all the cultural artifacts humans create, TV shows are notoriously the least relevant or enduring.  It’s a challenge to imagine, actually, why anyone should care that “Lost” existed, much less that its story has come to a close.

And yet here I sit, in the wee hours of the night, writing about it.  Indeed, I certainly do have better things to do.  Like sleep, for instance.  But I can tell that until I get this out, I won’t have any peace.  It seems ridiculous to me even to say that, but I can’t deny the truth of it.

So I guess I’ll just get started.

Beginning with the long view, I’m going to go out on a limb and predict that “Lost” will not be one of those shows that lodges itself into popular imagination across generations.  Now that the show’s over, we can proclaim with confidence what many have long suspected, that much of the draw and mystique of the show relied upon people watching it as it aired and having to wait for long periods of time to get answers.  This is especially true since during the downtime people were given all manner of content outside of the show to keep them engaged in the story.  For the person who will rent or buy the DVDs of the show without ever having watched it before, all of those things will be absent from their experience.  A person watching the DVD’s won’t likely spend any time theorizing about what’s going on, for example.  Which means they’ll be much less likely to get distracted by elements in the show that are ultimately unimportant.  Which means that, for them, the plot and character arcs will, in many cases, unfold in somewhat predictable or unsatisfying ways.  And while there’s enough good acting and writing going on in the show to keep a person watching clear through to the end, there’s a very good chance that, once they’ve finished watching, they’ll wonder why the show was touted as such a cultural phenomenon.

Had the show had a more surprising ending or concluded in a way that dramatically illuminated mysteries in past episodes, perhaps the show’s prospects would be more optimistic.  But in the end the main plot arc terminated in a fairly uninspired fashion, several key character arcs were uneven or uninteresting, and there were too many plot twists that seemed to serve no other purpose besides rendering pointless certain sub-plotlines that had previously been fascinating.

Why then am I still thinking about this show… or, more accurately, its finale… hours after it’s ended? If my opinion is that, all told, it was a better-than-average drama that will, nevertheless, have limited long-term cultural impact, why is it keeping me up tonight? I guess that’s really what I’m trying to figure out here.

In the final episode, we find out that the alternate reality we’ve been shown all season is actually a post-death reality for all of our characters.  This revelation really sort of makes everything else that happens in season six fairly insignificant.  That didn’t have to be the case, though.  The events that lead to Jack’s death could have conversed better with events taking place after his death.  In the first three seasons, events in flashbacks conversed amazingly well with events on the island.  But it seems clear that all of the meaning of season six was poured into the post-death narrative while the pre-death story was treated almost like a technicality.

But I think it’s that post-death narrative that’s really getting to me.  The theme of forgiveness and the suggestion that none of us actually “die alone” were very powerful (and particularly timely).  Even though these points could have been better complemented by the pre-death narrative, they still packed an intense emotional punch that I just can’t get over.

I suppose the way I feel about it is this:  The show’s ending is something they’ve had in mind since the beginning.  It really doesn’t seem fair to criticize it.  If any of us have a problem with it, the fault probably lies in how it was set up.  In other words, the problem with “Lost” won’t be found in the beginning or the end, but in how the writers ultimately connected those two points.  And, for my money, they could have drawn a much smoother and compelling arc there.

But looking, then, at the ending just on its own… again, it’s difficult for me not to be deeply moved by it.

The idea that people “enter the light” and “receive their reward” not on an individual basis, but as a group is, to me, for some reason, overwhelmingly inspiring.  And as I watched Jack’s “lost tribe” gather with such joy, I couldn’t help but think of my own “Lost tribe” and the important things we’ve shared since we’ve met.  I’m not talking about things relating to the show, of course.  It’s just TV, after all.  Rather, I’m talking about all the deep conversations.  The words of encouragement when one of us was going through a difficult time.  The expressions of gratitude and celebration when something great happened in the life of one of our members.  I’m talking about all the things that make a group of people a community.  The most important things in human life.

And, of course, I think not only of my “Lost” friends, but also of my lost friends; the people that I rarely talk to, both new acquaintances and old, who have had and continue to have an unspeakably profound impact on my life.  And I think about my family.  And I think about those who have passed on before me.  And it’s almost like hearing Clarence speak to me from that greatest of all films, reminding me that I’ve actually had a wonderful life.

As cosmically insignificant as a TV show can be, it’s an incredible thing when it brings people together and inspires such dramatic feelings.  Whatever else will be said about “Lost” in the years to come, I will always be grateful to it for giving me these things.  And in spite of my criticisms of the finished product, I think I’ll always have respect for it because of these things.

And… maybe that’s all I need to say about that.

Pointless... pointless... pointless.

"In the final episode, we find out that the alternate reality we’ve been shown all season is actually a post-death reality for all of our characters.  This revelation really sort of makes everything else that happens in season six fairly insignificant." -- The GC.

These were exactly my feelings. I couldn't believe --what the heck, I still can't believe-- the show was meant to end that way. And, if the finale made season 6 pointless, the previous episodes made the whole show useless.

If any of you still visit losties.net, there's a post over there that summarizes the whole show in 2 episodes. I totally agree with that post. Some guys end up in an island, because this Jacob entity needs a replacement. Lots of pointless things happen and then, just like that, one of the guys says "Ok, I'll do the job". And that's it.

The finale only made the "job", which was the only thing that remained after having thrown the whole show down the drain, pointless too. At least from the spectator's point of view. The island needed to be protected... but we don't even know from what. We don't even know if it actually needed protection.

We don't even know if the whole story was real, or just another freaky-matrix-pastime wait-while-the-whole-gang-is-here sort of thing. Yeah, I know one of the characters say that was real, but why should I believe him? The writers --not through characters, agreed, but anyways-- have lied to us since the start of the show (I still remember how the "they are all dead" theories were dismissed as laughable, with the running joke of the "Zombie 7th Season"), so that might as well be only the easiest way of closing the story.

I'm very very very dissapointed. And I'm sorry for what could have been, and for three years in a row was, the greatest TV show ever.

I guess I'll stick to Friends as my fave.

Post-Mortem (appropriately)

I agree with everything you are saying about the way the show will probably be assessed in the future.  And the message you are detailing in the post-death narrative—the message of community, forgiveness, and no one ever dying alone is a powerful one and is in accord with much that can be seen over the entire six seasons about the need to tell our stories together.

 

But that message did not come across to me almost at all in the ending and was very much undercut by the ending of the story line on the island—which is really the mythos, we’ve been following all along.  And it’s undercut in such a way that I didn’t feel moved, and I actually felt somewhat angry about what I see as the implications of the two endings considered together.

 

That’s my main problem, and I’ll detail that below, but I’ll just add that my other, more minor quibble was that the post-death reality story was weakly told.  Well, and maybe that weakness to me speaks to how much it’s just tacked on—so that spiritually it didn’t resonate with me.  It just felt like—here’s a character and their moment of life flashes before their eyes with significant other, and here’s another, and here’s another.  There wasn’t a narrative build-up to each of them.  And plot-wise it made a complete hash of the paradox of the people returning to the island in 2010 when, if the bomb went off, they should never have been on the island in the first place.

 

The main storyline is my big problem.  It had seemed to me that all along the writers were showing the dangers of dividing things into simplistic notions of good and evil, and that these simplistic notions are what divide us from each other.  In fact, you mentioned the message of forgiveness—and this always seemed one of the strengths of the show.  In “Across The Sea,” it still seemed like those good/evil divides were questioned.  Jacob was responsible for creating the smoke monster—it’s his act of revenge that requires redemption/forgiveness.  Instead what the ending showed was that the smoke monster was the bad guy and Jack was the martyr-hero.  The smoke monster wasn’t part of the golden light which had been separated off and then things were thrown into imbalance.  But the smoke monster was some aberration which had to be destroyed.

 

So life is about conflict between simplistically defined camps one of which is so demonic and “Other” that there is no reconciliation with it or forgiveness—only annihilation, and forgiveness and connection to others only happens in this post-death story? 

 

That to me is not the message of the entire series but it seemed to be where the finale went and I think it’s unfortunate ‘cause the message of community, connection, and forgiveness of others in this life is one which they’ve often told, which you rightly point out is such a moving and important one, and which there was a great opportunity to do well here.